Jesse Washington 
National Writer/Race and Ethnicity 
The Associated Press
  • Home
  • Articles
    • The Secret on Seymour
    • The Terrible Week
    • Defining Terrorism
    • Accidental Racist
    • The Latino Pope?
    • JFK and Black History
    • Color and Character
    • The Gun Gulf
    • Why Newtown?
    • The Race Card Project
    • Black Friday
    • White Working-Class Voters
    • Because He's Black
    • Because He's Black-Part 2
    • Michelle Obama: Person or Persona?
    • Have Race Relations Improved?
    • Race and Religion 2012
    • Trayvon and the Black Male Code
    • The Blackest Name
    • Jeremy Lin, American Hero
    • I'm Not Asian
    • 72 Percent
    • Obama's Not Black
    • Faces of Food Stamps
    • Everybody's Racist
    • Wise Latinas Speak
    • The New Mississippi
  • Blog
  • Bio
  • On the Mic
  • Contact

McCleary "Bunch" Washington, 1937-2008


Born in Philadelphia, Washington was a visual artist who studied at the Barnes Foundation and the Philadelphia Museum School (now University of the Arts). His standard mediums were collage, watercolor, oil on canvas, ink pen, sculpture and bas-relief. He also developed a technique of working with polyester resin to produce a stained glass-like medium he called the Transparent Collage. Consistent themes in his work were family life, music, African-inspired motifs, the Baha'i Faith, and the transcendent nature of the human soul. 

While in his twenties, Washington moved to New York City, where he befriended visual artist and art historian Romare Bearden (1911-1988). Bearden, now recognized as one of America's preeminent artists, is best known for using collage to contextualize the African-American experience in universal terms. In 1973, Washington wrote, designed and edited "The Art of Romare Bearden: The Prevalence of Ritual," the first major book ever produced about an African-American artist. Both Washington and Bearden shared a desire to promote awareness about the influence of African and African-American art, and to encourage the cross-pollination of art from all parts of the globe.

By Elizabeth Washington de Souza
.  .                        .